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A film can have many interpretations imposed onto it. But what about the films that have intended deeper meanings that have passed right over our heads? Eternal Sunshine of the Spotless Mind, written by Charlie Kaufman and directed by Michel Gondry, is a truly remarkable film and can be praised for its originality, character development and cinematography.
But did you know that it is also used as an illustration of Nietzschean philosophy? Eternal Sunshine revolves around a literal method of forgetting Nietzsche is most famous for his view that knowledge is not always preferable, and that to survive as human beings we must be able to forget certain things.
The whole film revolves around a literal method of forgetting and whether or not this is a good or bad thing, so the connection here is already obvious. Nietzsche was a big fan of living in and for the present.
People who frame and live their lives within an overarching future context rather than living and appreciating life in the present are basically fools — Nietzsche would have pitied them.
He would also have been hashtagging YOLO way before it got mainstream and cool. The tapes reveal all the reasons why they ended up hating each other and deleting one another from their memories.
The fact that we want Clementine and Joel to get back together is a sign that the film is implicitly agreeing with Nietzsche here and wants us to see it as the right way to live.
More love for Charlie Kaufman: O my friends, then you have said Yes too to all woe. But, in deleting the bad memories of Clementine, he must delete the good ones too. The great thing about discovering such philosophical meaning behind a film is that it allows us to add greater value to it.
It not only has artistic value, it also has instrumental value. Five alternative films to look out for in But after watching “Eternal Sunshine”, I started to think differently.
At some point before the movie begins, coming from a chronological point of view (this movie does not share the same point of view), Joel Barish who is the main character, is in love with a woman by the name of Clementine Kruczynski.
Essay on Philiosophical Analysis of Eternal Sunshine - ‘Eternal Sunshine of a Spotless Mind’ is a philosophically provocative film which tracks the relationship of two main characters, Joel and Clemantine, in their search for happiness.
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Strong essays will, in this manner, demonstrate that the use of literary allusion in The Eternal Sunshine of the Spotless Mind is contrary to the normal use of this literary device. 4. The stories in Midnight in Paris, Groundhog Day, Big, Edward Scissorhands and Eternal Sunshine of the Spotless Mind have been classified by some critics as belonging to the genre of "magical realism".
Eternal Sunshine of the Spotless Mind a screenplay by Charlie Kaufman Goldenrod Revision February 4th, Green Revision January 20th, Yellow Revision January 13th, Pink Revision January 10th, Blue Revision December 17th, Shooting Draft November 6th, "Eternal Sunshine of the Spotless Mind," like "Malkovich," invents a fantastic device for its peculiarities, and wisely declines to explain it.
All we know is that an obscure company in Boston offers to erase your memories of a particular person or anything else.